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1060 assignments


  • ALL ASSIGNMENTS ARE DUE BY MIDNIGHT OF THE ASSIGNMENT DATE
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ESSAY: DUE 11:26
20% of course grade


Cudda Wudda Shudda: An Essay on 'Fifth Street'
The five blocks of Fifth Street, from the Biltmore to Klaus, have, over the past five years, been the beneficiary of significant investment and attention by a diverse set of organizations: Midtown Alliance, the Tech Square developers, the Department of Transportation (the new Fifth Street 'bridge'), and the campus planners and architects of Georgia Tech. Each group in its own way desires to transform Fifth Street into a real street, a significant public amenity that links the spaces of the campus and the city.

The jury, however, is still out on whether they have achieved their goals. It might take a while yet. But there is sufficient evidence out there for us to make a nuanced and knowledgeable report on the kind of street that Fifth Street is in the process of becoming. Whether it is what it was meant to be, whether it is what it should be, whether it is all what it could have been, whether it could still become what it could be, is for you to argue – as a citizen, an informed participant, and as a nascent professional – in an essay that draws upon both your experience of this street as well as the ideas and constructs introduced in the set of readings on the 'Street' and on 'Public Space' and in the upcoming lectures on the City.

The Street
The 'Street' is a complex invention of human civilization. It is not just a conduit for traffic but rather the dynamic locus of a range of conditions: physical, formal, spatial, social, political, cultural, legal, historical, environmental, and experiential.

A street is simultaneously:
  • a public space;
  • a result of a prior framework or subdivision of territory;
  • a 'palimpsest' (of previous conditions) and a 'projection' (of desired futures);
  • a dimensionable space with particular physical and material characteristics;
  • an urban form with a particular volume and section;
  • a space with multiple functions and uses;
  • a social institution;
  • a theater activated by human performance: everyday acts as well as special events.
A good street can be analyzed in terms of all of these filters.

Requirements
For this assignment you are expected to:
  • read the articles in order to familiarize yourself with the primary formal and social issues that come into play in the design and use of streets;
  • observe for yourself 'Fifth Street' at a number of different times of the day and the week (using the observation and analysis tools introduced in COA 1011);
  • apply the ideas and constructs introduced in the readings to your empirical observations;
  • reflect upon Fifth Street in terms of the seven filters listed above;
  • write a essay that synthesizes your readings, observations, and reflections upon Fifth Street: Cudda, Wudda, Shudda.
The Essay should be 2000-2500 words. It should evidence thoughtful reflection upon your observations as well as the readings. The essay may include drawings as well as a carefully curated set of photographs. A printed copy of the essay will be turned in during class on November 19. Your GTA may also ask you to turn in, as a compressed powerpoint, your album of photographs.

CFY Writing Prize
Two essays from each of the sections will be submitted to a jury. The best three essays will be awarded a prize.

Readings
The articles below provide different vantages on the public space of the street. Read all the articles. Take careful notes. You might want to summarize each article for yourself following the summary guidelines posted on http://cool.coa.gatech.edu/coolspace/873

We strongly recommend that you review appropriate lectures and your lecture notes as well.
Make sure you read carefully.

THE FIRST SET OF READINGS
a quick history of the street
kostoff_ the street.pdf
on streets as a prior framework
allen et al_ you are how you subdivide.pdf
on the relationship of walking and streets
solnit botanizing.pdf
solnit solitary stroller.pdf
the politics of transit along streets
sorkin traffic.pdf
on the 'facts' of the street
perec the street.pdf
on city fabric and large-scale projects
dagenhart bldg projects vs cities.pdf

THE SECOND SET OF READINGS
on city streets
whtye - the design of spaces.pdf
whtye - the skilled pedestrian.pdf
whtye - the social life of the street.pdf
whyte - the physical street.pdf
whyte - the sensory street.pdf

on malls, and the politics of public space in america
kohn-mauling of public space.pdf
zukin_politics and aesthetics.pdf
The Mall Goes Undercover.doc
THE TERRAZZO JUNGLE.doc
jackson domesticating the street.pdf

Writing Resources
Before you begin we strongly recommend that you read through a guide on planning and writing an essay. Very good short sections on all the steps involved in writing an essay– from how to read an assignment and come up with a topic, to developing a thesis and editing – are posted at the online guide of the Harvard Writing Center. It would be a good idea to carefully review this material. Go to http://www.fas.harvard.edu/~wricntr . Then go to 'Writing Resources'.

You could also go to http://www.bartleby.com/141/ for another online resource.

From Rebecca Solnit "The Solitary Stroller and the City"
"On Saturday night, the city joined in the promenade on Market Street, the broad thoroughfare that begins at the waterfront and cuts its straight path of miles to Twin Peaks. The sidewalks were wide and the crowd walking toward the bay met the crowd walking toward the ocean. The outpouring of the population was spontaneous as in response to an urge for instant celebration.

Every quarter of the city discharged its residents into the broad procession. Ladies and gentlemen of imposing social repute; their German and Irish servant girls, arms held fast in the arms of their sweethearts; French, Spaniards, gaunt hardworking Portugese; Mexicans, the Indians. . . everybody, anybody, left home and shop, hotel, restaurant, and beer garden to empty into Market Street in a river of color. Sailors of every nation deserted their ships at the waterfront, hurrying up Market Street in groups, joined the vibrating mass excited by the lights and stir and the gaeity of the throng. 'This is San Francisco', their faces said.

It was carnival; no confetti, but the air of a criss-cross of a thousand messages; no masks, but eyes frankly charged with challenge. Down Market to Powell to Kearney, three long blocks, up Kearney to Bush, three short ones, then back again, over and over for hours, until a glance of curiousity deepened to one of interest; interest expanded into a smile, and a smile into anything.

Father and I went downtown every Saturday night. We walked through avenues of light in a world hardly solid. Something was happening everywhere, every minute, something to be happy about. . . We walked and walked and still something kept happening afresh."


assignment 10.28
Lectures 10.10, 10.15, 10.22
Review the 3 presentations by the three program directors.
Then, for each of the three lectures separately, respond as follows:

Part One: Playback
1. What are some of the most important terms, concepts, or constructs that the lecturer introduces and develops in the lecture? Briefly summarize one (or more) from each of the lectures in order to highlight its importance.

Part Two: Look Up
Research, then define (concisely, clearly) 3 terms, concepts, or constructs, mentioned in each of the three lectures, that you did NOT know about before the lecture.

Part Three: Speculate
The charge to each of the three program directors was to speak to their respective discipline, profession, and program. Summarize, for each, what you think are some of the primary disciplinary and professional issues and questions. For this question you will need to reflect upon both the lectures as well as your notes from each.

assignment 10.12 LIBRARY 101. due @ preceptorial friday 10.12
go to: http://cool.coa.gatech.edu/coolx/833

assignment 09.30
Critical Listening: Learning to Ask Good Questions

Lectures: 09.17; 09.19; 09.26
Review the 3 lecture presentations and your notes on each of these three lectures.
Then, for each of the three lectures separately, respond as follows:

Part One: Playback
Summarize the lecture. (50-100 words max).
Structure your summary in three-to-six sentences as follows:

The template below should serve as both a scaffold and as a checklist: it tells you what to look for and how to organize what you find. The 3-point template below outlines a structure and a sequence for your summary.

1. What broad issue, general topic or debate does the author take on or contribute to in this lecture presentation or article?
2. How does the author structure or organize his/her presentation or discussion or argument (the primary mechanism or device that organizes the argument and the presentation)?
3. What are some of the important terms, concepts, and constructs that the author introduces and deploys in the lecture?

Part Two: Look Up
Research, then define (concisely, clearly) 3 terms, concepts, or constructs, mentioned in each of the three lectures.

For each term/construct selected, answer in one of the two following ways:
1. If you had a sense of what the term/construct meant before looking it up: first list what you thought it meant, then list the number of things it may mean or refer to based on your research.
2. List what you found out in looking up/researching the term/construct, then briefly reflect upon its significance to issues raised in this or other lectures (or to society at large).

In asking you to structure Part Two in this manner, we would like you to become aware of the multiple registers of meaning that a word has in different contexts (in everyday speech or in different disciplines and professions).

We do not want you to treat Part Two as simply a task of looking up a word that you dont know or think you kinda sorta know (though learning to look something up is the crucial first step to learning). Rather once youve looked something up, and realized its rich and sometimes contradictory meanings, we would like you to think about its significance, to speculate upon its importance, to make connections to other things . . . .

Part Three: Speculate
We have not defined for you the operative words for Part Three (curriculum/pedagogy; disciplines; professions). We hope that your understanding of these complex terms will be cumulative and iterative; that you will build up a provisional understanding of these terms which you will continually clarify through discussion, research, and application.

Our goal here is for you to slowly recognize what all is involved when you, for example, blithely say, "i'm an id (or bc or arch) major". To "major" in something requires that a curriculum/pedagogy, a discipline, and a profession exists and is in place.

Reflect upon each lecture, then speculate upon the questions or challenges
the material covered in each lecture raises for :
the teaching/learning or curriculum/pedagogy
the disciplines,
the professions,
and the systems of organization and economic production (what Brian Bowen in 09.12 referred to as "industry" or "economic sector" associated with the designed and built environment.

Your task is to identify 4 questions from each lecture; each question should address one of the four terms listed above.

assignment 09.16
Critical Listening: Learning to Ask Good Questions

09.16 is a slightly modified version of 09.09 (modifications in blue). Please pay careful attention to the procedures and issues discussed in your preceptorial last Friday.

Lectures: 09.10; 09.12; 09.14
Review the 3 lecture presentations and your notes on each of these three lectures.
Then, for each of the three lectures separately, respond as follows:

Part One: Playback
Summarize the lecture. (50-100 words max).
Structure your summary in three-to-six sentences as follows:

The template below should serve as both a scaffold and as a checklist: it tells you what to look for and how to organize what you find. The 3-point template below outlines a structure and a sequence for your summary.

1. What broad issue, general topic or debate does the author take on or contribute to in this lecture presentation or article?
2. How does the author structure or organize his/her presentation or discussion or argument (the primary mechanism or device that organizes the argument and the presentation)?
3. What are some of the important terms, concepts, and constructs that the author introduces and deploys in the article?

Part Two: Look Up
Research, then define (concisely, clearly) 3 terms, concepts, or constructs, mentioned in each of the three lectures.

For each term/construct selected, answer in one of the two following ways:
1. If you had a sense of what the term/construct meant before looking it up: first list what you thought it meant, then list the number of things it may mean or refer to based on your research.
2. List what you found out in looking up/researching the term/construct, then briefly reflect upon its significance to issues raised in this or other lectures (or to society at large).

In asking you to structure Part Two in this manner, we would like you to become aware of the multiple registers of meaning that a word has in different contexts (in everyday speech or in different disciplines and professions).

We do not want you to treat Part Two as simply a task of looking up a word that you dont know or think you kinda sorta know (though learning to look something up is the crucial first step to learning). Rather once youve looked something up, and realized its rich and sometimes contradictory meanings, we would like you to think about its significance, to speculate upon its importance, to make connections to other things . . . .



Part Three: Speculate
We have not defined for you the operative words for Part Three (curriculum/pedagogy; disciplines; professions). We hope that your understanding of these complex terms will be cumulative and iterative; that you will build up a provisional understanding of these terms which you will continually clarify through discussion, research, and application.

Our goal here is for you to slowly recognize what all is involved when you, for example, blithely say, "i'm an id (or bc or arch) major". To "major" in something requires that a curriculum/pedagogy, a discipline, and a profession exists and is in place.


Reflect upon each lecture, then speculate upon the questions or challenges the material covered in each lecture raises for :
the teaching/learning or curriculum/pedagogy
the disciplines,
the professions,
and the systems of organization and economic production (what Brian Bowen in 09.12 referred to as "industry" or "economic sector" associated with the designed and built environment.

Your task is to identify 4 questions from each lecture; each question should address one of the four terms listed above.



assignment 09.09
Critical Listening: Learning to Ask Good Questions

Lectures: 09.05, 08.31; 08.29
Review the lecture presentations and your notes on each of these three lectures.
Then, for each of the three lectures separately, respond as follows:

Part One: Playback
Summarize the lecture. (50-100 words max).
Structure your summary in three-to-six sentences as follows:

(The template below should serve as both a scaffold and as a checklist: it tells you what to look for and how to organize what you find. The 3-point template below outlines a structure and a sequence for your summary. In addition it suggests a set of phrases in red that may help you keep the writing simple, clean, and straightforward.)

1. What broad issue, general topic or debate does the author take on or contribute to in this lecture presentation or article? In this article/lecture, the author takes on/focuses on. . .

2. How does the author structure or organize his/her presentation or discussion or argument (the primary mechanism or device that organizes the argument and the presentation)? She does this by reviewing/contrasting/opposing/pairing. . .

3. What are some of the important terms, concepts, and constructs that the author introduces and deploys in the article? Some of the important terms etc. are. . . (list them)

Part Two: Look Up
Research, then define (concisely, clearly) two terms, concepts, or constructs, mentioned in each of the three lectures.

For example, the lecture on Solar Decathlon mentioned the competition entries being "off the grid": what do you think this means?

Part Three: Speculate
Reflect upon each lecture, then speculate upon the kinds of questions the material covered in each lecture raises for :
the disciplines,
the professions, and
the teaching/learning
associated with the designed and built environment.

Your task is to identify three questions (pedagogical, disciplinary, professional) for each lecture. The questions could have general relevance to the designed and built environment at large. Or they could be specific to architecture, industrial design, construction, landscape, interiors, urban design, city and regional planning, etc.



assignment 08.29

OBSERVATION DESCRIPTION SPECULATION

The careful looking that you have started in COA 1011 continues in COA 1060 as well. For this assignment you are to look carefully at two installations currently on display in the college of architecture west building: the three-storey installation in the atrium and the long piece that runs along the terrace just outside the atrium.

Open this pdf. It gives a quick presentation of the two installations.
COA1060_Ex1.ppt

Follow the procedures and format identified below. This will help you organize both your preparatory work as well as your written report. Words and phrases in bold are important. We would like you to think about them: look them up in the dictionary; discuss them with your fellow students.

Both installations are complex artifacts. Each is the result of a six-month long process incorporating a give and take between:
  • research questions
  • formal desires
  • design strategies
  • material possibilities
  • fabrication methods
  • phenomenological qualities

Both raise issues and questions that cross disciplinary and professional boundaries. Even though these two installations were produced by teams of architecture students lead by the Ventullet Chair in Digital Design and Manufacturing, they could easily be the product of a design and fabrication lab in a number of disciplines: architecture, building construction, or industrial design. They are, therefore, perfect subjects for your first assignment in learning to engage the world around you.

In order to help you structure your observation and organize your description and speculation, please follow the procedures outlined below:

Observation
  • Go over the prompts listed below under Description and Speculation
  • These prompts identify the four qualities you should focus on: material, fabrication, formal, phenomenological
  • Spend some time looking carefully at each Installation
  • Structure your looking by scale and over time
  • SCALE: From XS to XL; or at 3 scales: at the scale of the Site; at the scale of the Object itself; at the scale of the Detail
  • TIME: Observe over a 24-hour period
  • Take notes and photos and refer to them when you are writing your report

Description Prompts
  • Describe Material and Fabrication qualities: what its made of, how its made: connections, details, traces of fabrication process, etc.
  • Describe Formal qualities: its shape, geometry, proportions, composition, etc.
  • Describe Phenomenological qualities: the way it performs in space under different conditions (changing light, sound, temperature, touch, etc.)

Speculation Prompts
  • What sort of issues do you think 'motivate' the two installations? What sort of research questions do you think are being explored in these two installations?
  • What kind of design process was employed in these two installations?
  • What sorts of images and references does each installation sponsor? What 'names' would you give each? What secret lives could you imagine for each?

Format
Follow the following format for your report:
  • Describe each installation separately
  • Each description should have two parts: 1. Description; 2. Speculation
  • Write as concisely and clearly as possible
  • Write your report using MSWord; review your draft; check for spellings, etc. BEFORE cutting and pasting it onto your ASSIGNMENT page
  • YOUR ASSIGNMENT PAGE has already been created for you
  • Go to http://cool.coa.gatech.edu/coolx/12
  • Scroll down to your 1060 section
  • Click on the link; click 'edit'; cut and paste; save

DO NOT UPLOAD PHOTOS OR ANY GRAPHICS AS PART OF YOUR REPORT. THIS IS A TEXT-ONLY DELIVERABLE


assignment 08.24

COOL X orientation
This orientation assignment is designed to help familiarize yourself with the COOL X web environment.

3 Objectives:

See the step-by-step directions below.
If you want more on COOL X features and formatting instructions, click on the help button in the header.
Or look at the list of tips that show up under the text box in edit mode.

Task 1: Create a Page
  • Create your personal page under Personal Pages #3.
  • Name your page Firstname Lastname (case sensitive).
  • To create your page, go to Personal Pages #3.
  • Click the 'edit' button.
  • You will now see the text box in which you will type your name, under the correct letter (alphabetical by LAST name).
  • Type your name between asterisks.
  • Click the 'save' button.
  • The screen will return to 'view' mode.
  • Your name will appear on the page along with a button that says "Create".
  • Click this "Create" botton.
  • You should now see the text box on 'edit' page of the page you just created.
  • You can now add content to your page by typing it into the text box.
  • You can add information about yourself and your interests, photos... whatever. It's a way for you to introduce yourself to your classmates and learn more about them.
  • Under the text box of any page is a list of html tags that you can use.
  • You can also click the 'help' button for additonal information.
  • When you're done, click "Save" at the bottom of the page.
  • Your page should now reflect the changes you've made. If you want to make more changes, click "edit" at the top of the page.

Task 2: Edit and Link a Page
  • Your next task is to add a review to the News and Reviews page.
  • Go to News and Reviews
  • Choose and click a category, then click 'edit'.
  • You should see some other students' reviews unless you are the first. Be careful not to change others' reviews. Just carefully paste your review into the bottom of the text box.
  • DO NOT type directly into text box. ALWAYS compose your work using msword or similar. Spell check. Then cut and copy your text into the text box.
  • Click the 'save' button.
  • Your review should now appear on the 'view' page.
  • You may get a message that says: 'Edit Conflict'. This means someone else was saving their work to the same page as you at the same time.
  • Go back to view mode, click 'edit', then copy and paste your work into the text box again.
  • Make sure that when you post your review you sign it with a link to your personal page. In other words, at the end of your review posting, type the name of your personal page between asterisks. This time, COOL X will notice that the page already exists and will simply create a link to George Burdell.



Link to this Page

Click to edit soapbox.
gone home.